Artifice & Access: A Disability in Fantasy Anthology

edited by Ella T. Holmes

storygraph | goodreads

Artifice and Access book cover

Thank you to the editor and publisher Ella T. Holmes for the advanced review copy!

There were some incredibly ignorant and ableist opinions making the rounds on twitter a while back along the lines of “disabled people should not exist in fantasy because magic would ‘fix’ them”. While bad takes on social media are nothing new and will no doubt continue in perpetuity, what sets this case apart is that Ella T. Holmes saw those tweets and decided to spearhead the creation something in response: this defiantly joyful anthology of fantasy and folktales centered on disabled characters.

I am really impressed by the care that has obviously gone into this book, from the curation and editing to the cover and chapter illustrations. The fourteen chosen stories are varied in style and substance, as is the disability representation. While it’s inevitable that some stories worked better for me than others (such is the nature of anthologies), I thought the overall quality was high and very consistent across the book.

A couple of the stories that stood out to me were:

‘To Make Her Eat’ by M. Stevenson – I loved how the main character’s disability (celiac disease) was woven into this story about an encounter with the fey (the traditional, sinister variety!). And there was a really effectively set-up sapphic romance; I could feel the yearning and a deep sense of the history between the characters.

‘Stroke of Midnight, Shoes of Glass’ by Adie Hart – This one followed the classic Cinderella story fairly closely; however, the way that the disability rep (chronic fatigue syndrome) was woven in worked really well and enhanced my enjoyment of the story far beyond that of the versions I’ve come across before.

I really enjoyed the author’s notes that accompanied each story. Hearing from writers about the choices they made and the emotional fuel at the heart of their stories is one of my favourite things. It was made all the more special in this anthology because each of these stories is carving out a desperately needed space for disability representation in the fantasy genre.

Some of the representation across the stories (either directly, or through fantasy analogues) includes: Marfan syndrome, mobility issues, being a cane user, being an ambulatory wheelchair user, chronic pain, being nonverbal, autism, ADHD, celiac disease, POTS, ME/CFS, chronic migraine, PTSD, hypermobility, being immunocompromised, being hard of hearing, using hearing aids, limb difference, having a support animal, and much more besides.

I was pleasantly surprised by some of the intersectional representation along queer and trans lines, as well. ‘Lessons in Botany' by Casper E. Falls particularly resonated with me because the main character’s intersections and experiences align with many of my own. I will say, though, that it would have been nice to see some more stories by writers of colour in the mix.

Overall, the anthology achieves a balance between containing a lot of variety between the stories and feeling admirably coherent as a whole. The common thread across a lot of the stories is one of care, community, mutual support, and interdependence. Many of the stories showed this on a smaller scale (between a couple of people or a small group), and so the final story—'City of the Sun' by Kara Siert—was a fantastic one for the collection to end on, because it rounded off that theme with a sweeping message about refusing to participate in ableist systems that only value you for what you can offer them.

I love that the message from the stories within this book reflect the way that this book was created: by disabled people, for disabled people, through a collective effort, and outside of the ableist systems of mainstream traditional publishing. I am thrilled that this anthology exists and I can’t wait to see what comes next!

originally posted on cohost on 26 June 2023

Three crows sit on a TV aerial above a roof and chimney, silhouetted against a cloudy-but-glowy evening sky.

Another public domain image, discovered via [profile] publicdomaintreasures on cohost (check out their personal collection).

Grayscale illustration of a coastal landscape. Two people are in a rowing boat, next to a steep cliff, possibly pulling in a fishing net. Dark birds flock all around. A cluster of onion-domed towers is visible in the distance.

Unfortunately, I can't find any information about this image, so I don't know who the artist is, when this was created, or where the landscape is (although I'd guess at Eastern Europe based on the architecture style visible in the distance). If anyone has more experience than me at figuring these things out, I'd love to know more!

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originally posted on cohost.org on 15 Jan 2023

I am a big fan of Letty Wilson ([tumblr.com profile] toadlett)'s work: their webcomic Owl People is amazing, as is her one-shot comic The Beechwood Helm. I just generally love all their illustrations.

One of the cool perks of supporting Letty on Patreon is that you get a custom monster drawing! Mine recently levelled up and became more monstrous [note: I think this may have changed and the yearly levelling-up is no longer part of the membership perks, but you still get a custom monster!], and I wanted to share it in all its glory. I haven't given it a name yet—suggestions welcome!

Read more... )

originally posted on cohost.org on 03 Jan 2023

I've been playing Hollow Knight recently [this is still true, nearly two years later!], and this is an appreciation post for the noise the Knight makes while walking. They remind me of this parrot stomping around:

Squishy cats

Oct. 23rd, 2024 01:59 pm
futurejake: Eggbug plushie with stripes of golden light across its face. (eggbug)

Another public domain image, discovered via [profile] publicdomaintreasures on cohost (check out their personal collection).

Simple line drawing of three squishy cats cuddling in a row.

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My very first post on cohost was a rechost on 01 Dec 2022 from the account public domain lover ([profile] publicdomaintreasures), who, as the name suggests, posted interesting public domain images. As far as I know, they haven't started up the account anywhere else, but you can check out their personal collection of images on their website.

These are woodblock prints by kachō-e artist Ohara Koson. According to Ronin Gallery, the first print is from around 1910, and the second is from around 1912.

Woodblock print of a cawing crow on a snowy branch.

Woodblock print of a crow on a blossoming branch.

Hello!

Oct. 19th, 2024 01:56 pm
futurejake: Illustration of a smiling white person with short brown hair, round glasses, and vitiligo patches. (Default)

Hi! I'm new here. I'm moving over from cohost (same username), where I used to post book reviews and photos of my garden, mostly. I'll be transferring some of my old posts over here, plus dusting off some drafts that I never got around to publishing.

Looking forward to figuring out how everything works and finding some people to follow (or whatever the terminology is over here)!

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